2024's 10 top-grossing US films were all sequels and prequels

Daniel Sims

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The big picture: Hollywood has long been dominated by sequels, prequels, remakes, reboots, "legasequels," cinematic universes, and other films tied to established franchises. However, 2024 could mark a new milestone: no original movies made the domestic top 10 box office list. As the industry continues its recovery from the pandemic, its increasing dependence on familiar brand names shows no signs of slowing.

According to Slashfilm and Box Office Mojo, the 10 highest-grossing films in the U.S. this year were almost exclusively sequels. The sole exception was a prequel, underscoring Hollywood's persistent aversion to risk.

With only a few days left in 2024 before the last box office report, it's unlikely that recently released films like Sonic the Hedgehog 3 will change the final rankings (which is another sequel). As it stands, the top 10 highest-grossing films worldwide are:

  1. Inside Out 2 – $1,698,765,616
  2. Deadpool and Wolverine – $1,338,073,645
  3. Despicable Me 4 – $969,126,452
  4. Moana 2 – $882,505,425
  5. Dune: Part Two – $714,444,358
  6. Wicked (the only prequel) – $634,378,535
  7. Godzilla x Kong: The New Empire – $571,750,016
  8. Kung Fu Panda 4 – $547,689,492
  9. Venom: The Last Dance – $476,391,878
  10. Beetlejuice Beetlejuice – $451,100,435

Expanding the list to the top 20 reveals only three original films: It Ends with Us, The Wild Robot, and The Garfield Movie. Interestingly, the reign of superhero movies has waned, with only Deadpool and Wolverine and Venom: The Last Dance breaking into the top 10.

Although franchise-based films have consistently dominated box office charts in recent years, a handful of original movies usually crack the top 10. Notably, last year saw Barbie, The Super Mario Bros. Movie, and Oppenheimer fill the top three spots, beating an otherwise sequel-dominated list.

However, even those three films weren't entirely "original." Barbie and Super Mario Bros. drew on decades-old franchises, and Christopher Nolan – director of Oppenheimer – has arguably become a brand in his own right. According to The Hollywood Reporter, 2024's total domestic box office grossed $8 billion, a slight decline from 2023's $9 billion, due in part to labor strikes and the absence of a cultural phenomenon like "Barbenheimer."

The global box office tells a slightly different story, thanks to the success of Chinese blockbusters. For instance, YOLO claimed the number 9 spot worldwide, while Beetlejuice Beetlejuice was outperformed by Chinese films Successor and Pegasus 2, according to The Numbers.

Looking ahead, 2025 promises another wave of major sequels, including Captain America: Brave New World, Mission: Impossible – The Final Reckoning, and Jurassic World Rebirth.

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Inside out 2 should also get the most narrow escape from failure.
Apparently, there was a gay romance story between Raily and most likely her black friend.
But one of the executives who saw it lost patience and demanded to "make Raily not gay."
I do not know what else they scrapped, but romance was gone.
And oh miracle, it did not bomb. People like normal human stuff
they can relate to, they want real people and real stories.
People who worked on the project told about removal
of lgbt features, btw.
 
Inside out 2 should also get the most narrow escape from failure.
Apparently, there was a gay romance story between Raily and most likely her black friend.
But one of the executives who saw it lost patience and demanded to "make Raily not gay."
I do not know what else they scrapped, but romance was gone.
And oh miracle, it did not bomb. People like normal human stuff
they can relate to, they want real people and real stories.
People who worked on the project told about removal
of lgbt features, btw.
I don't understand why companies make media aimed at minorities and then wonder why it doesn't have wide audience appeal. I'm not saying DON'T make that stuff, just don't call everyone bigots when sales match up with the percentage of the population it's aimed at.

Manage expectations
 
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The Godzilla X Kong movie - this had to be one of the worst movies I've seen in a long time. The plot was crap, the CGI - well, let's face it, it was all CGI and it sucked, the script writing and reading of lines was crap, the story made no sense. What a fricking train wreck. How did this pull half a billion? Are people this hard up for movies they're willing to pay to see things like this in the theater?

I'm glad I didn't pay to see this movie in theater, I would have walked out and asked for a refund. I wouldn't have even watched it had I not been at a family member's house this past week and they played it on Netlifx.

The original Godzilla and King Kong movies were better than this. King Kong released in 1933 and was better than this crap and Godzilla came out in 1954 and was better than this crap.
 
Most of these so-called films, were and are, woke silly, disgusting, and DEI hire, BS! I haven't found a good film in a couple of years now. No good acting, writing, or good stories anymore...
 
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Hollywood seems to think that the only way to make a profit is to rehash old and worn out themes.

If Hollywood actually wrote something new and compelling, I bet the profits from that would far exceed the old worn-out crap.
 
I've felt no real interest in movies for awhile, at least new ones. Deadpool 3 was kinda enjoyable, but the nostalgia baiting got tiring after awhile.

Watching the flops is honestly more entertaining. Like borderlands, holy hell that failed miserably. Or that captain america movie, a movie made 3 times now, with a director change, based on a character nobody liked, which has been rewritten twice because apparently, the original cut was SO insanely political and outright racist that even Disney's magical test screen audience were like " bruh WTF".

Oh boy that one is going to be a nuclear powered trainwreck.
And that is why I only watched one new movie this year. Wild Robot, which was excellent.

No political narrative from either side and not yet another remake or sequel. I know the sheeple love more of the same but I do not.
This one escaped me. Have to watch it now, maybe there WAS a good movie this year.
 
Hollywood seems to think that the only way to make a profit is to rehash old and worn out themes.

If Hollywood actually wrote something new and compelling, I bet the profits from that would far exceed the old worn-out crap.
I am not a fan of movies now a days either, but let's be clear. Those 10 movies alone brought in $8,284,225,852. Yes, that is $8.2 BILLION. I don't think they are going to be changing their approach anytime soon. Inside Out 2 made $1.6 Billion by itself and only had a budget of $200 Million. That is a whopping $1.4 Billion profit!!! Say what you want about Hollywood and "Woke" Disney, but that is a lot of money. It is not the $100B a year in profit that Apple makes, but $1.4B is still a lot on just one film. Again, I am not supportive of the current trend in movies, just stating facts.

Wikipedia Highest-grossing films:

Rank Title Worldwide-Gross Year
1 Avatar $2,923,706,026 2009
2 Avengers: Endgame $2,797,501,328 2019
3 Avatar: The Way of Water $2,320,250,281 2022
4 Titanic $2,257,844,554 1997
5 Star Wars: The Force Awakens $2,068,223,624 2015
6 Avengers: Infinity War $2,048,359,754 2018
7 Spider-Man: No Way Home $1,922,598,800 2021
8 Inside Out 2 $1,698,772,985 2024
9 Jurassic World $1,671,537,444 2015
10 The Lion King $1,656,943,394 2019
 
Two simple criteria determine whether I watch a movie in cinemas:
- It’s something I’ve been highly anticipating.
- It receives great reviews from critics.

I don’t rely on audience reviews because they often come with biases. To keep it simple: if a movie I’ve been eagerly anticipating gets excellent critical reviews, I’ll watch it in cinemas. If it doesn’t meet either criterion, I’ll just wait for it to release on streaming (which these days happens much sooner).

"Wicked" was a surprise exception as it was somewhat on my radar, but the reviews sealed it for me to watch it in cinemas. Out of the 10 films listed here, I’ve watched 5 in cinemas, and they were all fantastic.
 
I am not a fan of movies now a days either, but let's be clear. Those 10 movies alone brought in $8,284,225,852. Yes, that is $8.2 BILLION. I don't think they are going to be changing their approach anytime soon. Inside Out 2 made $1.6 Billion by itself and only had a budget of $200 Million. That is a whopping $1.4 Billion profit!!! Say what you want about Hollywood and "Woke" Disney, but that is a lot of money. It is not the $100B a year in profit that Apple makes, but $1.4B is still a lot on just one film. Again, I am not supportive of the current trend in movies, just stating facts.
This is a fact: That's not how profit works.

Firstly, that box office is gross returns, which must be split with the theater. This is different for every region. Rule of thumb is roughly 45% for a major hit in many regions.

That takes it to 880 million

Now, you need to take the budget itself, which is 200 million

That takes it to 680 million

Now the marketing budget. this is not included in development budgets and is intentionally kept quiet (hollywood accounting). Rule of thumb for major releases: usually close to the budget itself. There goes another $150 million, to be charitable.

That takes it to $530 million in profit. Not all of which stays with Pixar/Disney, you need to pay for your investors who funded the project's debt, they expect a return. These contracts are not public, for a guaranteed hit like this they'd want an average return, but that could be anywhere from 10-50% of the movie. We have no idea of knowing.

Still a very profitable movie for Disney, but it's not a $1.4 billion dollar profit. Not even close. When you consider the absolute stinkers Disney has been releasing lately, any and all profit from this film disappears. Mufasa is a great example, despite making 50% more then it's budget at the box office, as it stands right now, disney has LOST money on that film. $327 million at time of writing on a $200 million budget means that, after just box office cuts and marketing, means disney's gross take home is $179 million on a $400 million marketing and development budget. So there goes $220 million of the $550 million Inside Out 2 made.

And the more disney embraces wokeness in its products, the more stinkers it will produce (they lost hundreds of millions on multiple failed marvel products and captian america 4 is gonna be a nuke of a loss). Let us not forget, Pixar's turning Red and Lightyear both lost money, lightyear was a particularly nasty loss. Elemental BARELY "broke even", if you dont count the marketing budget nor the far higher box office cuts overseas theaters get. So that $550 million "profit" gets totally eaten up by the repeated previous losses.

This is not a healthy business.
Wikipedia Highest-grossing films:

Rank Title Worldwide-Gross Year
1 Avatar $2,923,706,026 2009
2 Avengers: Endgame $2,797,501,328 2019
3 Avatar: The Way of Water $2,320,250,281 2022
4 Titanic $2,257,844,554 1997
5 Star Wars: The Force Awakens $2,068,223,624 2015
6 Avengers: Infinity War $2,048,359,754 2018
7 Spider-Man: No Way Home $1,922,598,800 2021
8 Inside Out 2 $1,698,772,985 2024
9 Jurassic World $1,671,537,444 2015
10 The Lion King $1,656,943,394 2019
As already discussed, Inside Out 2 after costs is only making up for some of the previous failures of Pixar. (lightyear lost over $300 million on it's $226 million box office alone). Star wars is a nice addendum. They made a great profit on that film.

$2.06 billion box office.
$1.133 billion after cut
But what about costs? Well, originally, the film has a $250 million budget, then it was $300 million, and today, Wikipedia claims it is actually 456 million, but the source they cite ACTUALLY claims $533 million. this does NOT include marketing, which was figured as more then the movie's initial budget. Yeah, suddenly that $2 billion box office doesnt sound so impressive, right?


And then you look at Solo: a slow blow story, which disney claims they "lost" 68 million on. BS. ACTUAL costs put it closer to $400 million, but much like episode VII, these costs have continued to increase and are still being written off today. So the losses are likely even higher. Once you put those numbers together, it looks incredibly likely that Solo totally wiped out the profits from VII, VIII's profits are vanishingly small, and IX likely lost money due to insane reshoot budgets that eclipsed the initial budget combined with a disappointing $1b box office.

The reality of hollywood's incestuous accounting practices and insane ballooning development costs mean these big box office hits are not very impressive in context. Like Venom: the last dance. Oh yeah, it brought in 476 million, but remember Madam Web earlier this year? That likely lost over $100 million, that was also Sony Pictures, so make sure you take that out of whatever meager profits Venom managed. On their own? Yeah great. But IRL, when you calculate costs and consider the heavy losses on other projects these studios make? Yeah no, there's a reason so many believe hollywood is a money laundering operation these days.

EDIT: dont forget higher ticket prices. Yeah, these films can gross over $1 billion, but that's significantly less impressive then when a film broke $1 billion 10 years ago. Ticket prices have surges, like everything else, post Red Lung, and actual ticket sales are still way down from pre disease levels.

Also, those top 10 grossing movies do not count inflation (this is why you are not supposed to use wikipedia as a source, children!). Titanic brought in 2.257 billion in 1997; adjusted for inflation, brought in $4.436 BILLION. The original Star Wars brought in an adjusted over $3.5 billion. Avatar brought in $600 million more then Avatar 2, in 2009 dollars, or $4.264 billion total adjusted compared to avatar 2's $2.3 billion. Just for frame of reference, these new movie box offices are not as impressive as they sound.
 
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This is a fact: That's not how profit works.
Wow, take a depth breath. It's a new year. I spent about 5 minutes looking up some stuff. You clearly spent an hour or more putting your post together. Great job for you.

Movies just don't seem the same as they used to, we agree. Hollywood is just a shell of its former self, we agree. Its 2025, the world is just different, but we are NOT going back to the 90's and early 00's. Studios still make a lot of money, maybe more, maybe less than they used to. It is just more enshittification of the world but executives and tech bros, we agree. Happy New Year!
 
I've felt no real interest in movies for awhile, at least new ones. Deadpool 3 was kinda enjoyable, but the nostalgia baiting got tiring after awhile.

Watching the flops is honestly more entertaining. Like borderlands, holy hell that failed miserably. Or that captain america movie, a movie made 3 times now, with a director change, based on a character nobody liked, which has been rewritten twice because apparently, the original cut was SO insanely political and outright racist that even Disney's magical test screen audience were like " bruh WTF".

Oh boy that one is going to be a nuclear powered trainwreck.

This one escaped me. Have to watch it now, maybe there WAS a good movie this year.
I hadn't heard about Captain America's reshoots, but then I stopped watching MCU movies after End Game except for Guardians.

I'm still confused about how a normal human (with jet pack) will fill the super-human strength and resilience "super soldier" role of the Cap. I like that actor and don't care the Cap is black, but they are totally different power sets. Are they going to find some lost serum or is it going to be the Falcon now has a shield? Weird to me. Maybe this has already been explained in the comics but I don't follow those. I mean, I hadn't even heard of the Falcon before he was a background hero in one of the earlier MCU movies.
 
I recently read that music has become a greater capital market than cinema again, for the first time in many years. That doesn't surprise me when the "best" movies of the year were overwhelmingly panel written, exec ordered, corporate franchises.

Here's hoping for the death of these companies and franchise owners, so a phoenix may rise from the ashes. Sooner or later it has to come.
 
The Godzilla X Kong movie - this had to be one of the worst movies I've seen in a long time. The plot was crap, the CGI - well, let's face it, it was all CGI and it sucked, the script writing and reading of lines was crap, the story made no sense. What a fricking train wreck. How did this pull half a billion? Are people this hard up for movies they're willing to pay to see things like this in the theater?

I'm glad I didn't pay to see this movie in theater, I would have walked out and asked for a refund. I wouldn't have even watched it had I not been at a family member's house this past week and they played it on Netlifx.

The original Godzilla and King Kong movies were better than this. King Kong released in 1933 and was better than this crap and Godzilla came out in 1954 and was better than this crap.
Godzilla-1.0(2023) is the best film in the series. Check it out.
 
I am not a fan of movies now a days either, but let's be clear. Those 10 movies alone brought in $8,284,225,852. Yes, that is $8.2 BILLION. I don't think they are going to be changing their approach anytime soon....
You forget that 9 of these 10 top grossing films were all franchises which began *before* the DEI virtue-signaling era, and fans view them largely hoping to reclaim some of that original magic.
 
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