UK man sentenced to prison for selling thousands of pirated vinyl records

Alfonso Maruccia

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Music Piracy is Back: A recent case of "physical piracy" in the UK highlights the significant resurgence the recording industry is experiencing. Record labels are taking note, however, and trying to curb the growth of the unauthorized market that could accompany rising sales.

A Londoner named Rehan Ahmed sold thousands of vinyl records featuring music by popular artists, earning millions of pounds in the process. However, the vinyl discs were all "fake," and Ahmed is now going to jail after being caught by police. Representatives from the music industry were instrumental in uncovering the illegal printing operation.

The BBC reports that 40-year-old Ahmed's music "business" was caught in 2024 after a representative from the British Phonographic Industry (BPI) made a "test" purchase from his company, Phoenix of Vinyl. London police raided the premises soon after, discovering what the agency described as the largest archive of fake records ever found in the UK.

Ahmed had amassed a total of 2,791 vinyl records featuring music by 108 different artists, including popular stars such as Adele, Ariana Grande, Bad Bunny, Drake, Beyoncé, and Rihanna. Classic bands such as the Beatles were available as well, highlighting the forger's attempt to cover different genres and eras of music.

Phoenix of Vinyl employed several methods to sell its unlicensed records. The company supplied records to London's surviving music stores and sold directly to customers through online platforms such as eBay and Discogs. The discs were made using 70-year-old presses, which means they were genuine vinyl records from a manufacturing standpoint.

According to BPI director of content protection Peter Ratcliffe, Ahmed's operation had stolen tens of millions of pounds from artists, record labels, and other professionals working in the music industry. Phoenix of Vinyl exploited the resurgence of physical music by creating a highly organized and highly profitable counterfeit operation.

Physical music is indeed enjoying a return to growth after being decimated by streaming platforms over the past couple of decades. The RIAA said revenue from CD audio music grew by 58.6% in the first quarter of 2026, while vinyl record revenue increased by 17.7% over the same period.

Now that physical media is making a comeback as a legitimate listening format, music pirates such as Ahmed are trying to make an easy buck from it. Ratcliffe said counterfeit records are damaging the legal music economy once again, while customers who fall prey to the illegal releases are being affected as well.

Ahmed pleaded guilty to operating the illegal business and copyright infringement, and is now set to spend the next three and a half years in prison.

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Interesting. The article calls the records 'fake copies'. But there is no such thing as a fake copy. A copy is simply a copy. The issue is how they are marketed.

In this case, the copies are 100% genuine. They were printed on the "... same 70-year-old presses, which means they were genuine vinyl records from a manufacturing standpoint."

I would not be surprised if these copies end up being more valuable than the original pressings. They are probably in better condition and more acoustically accurate than pre-existing pressings.
 
I'm happy enough about it as long as the quality is high enough. An often mentioned problem with recent vinyl output is the actual quality. The problem is since the CD started vinyl's downfall is the scarcity of good production equipment and staff with sufficient skills and experience to operate it.
Those 70 year old presses are pretty worn out by now and very expensive to replace. Apart from hipsters trying to be cool, most of the people buying records today buy them for the actual distinctive sound that vinyls produce.
 
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