Behind the numbers: Why Rotten Tomatoes scores keep climbing

Skye Jacobs

Posts: 1,984   +58
Staff
TL;DR: When every commercial for a new movie proclaims Certified Fresh from Rotten Tomatoes, it's easy to wonder if something fundamental has changed about the way films are judged – or about the platform itself. Once a strictly objective aggregator, Rotten Tomatoes has become Hollywood's most prominent stamp of approval. But as a swelling majority of releases boast glowing Tomatometer scores, Daniel Parris at StatSignificant asked the question: Is Rotten Tomatoes still a reliable guide for moviegoers?

Rotten Tomatoes began in 1998 as a niche platform compiling reviews for Jackie Chan films, but its founders quickly realized the broader appeal of aggregating movie criticism. The service expanded and, over the following decades, emerged as an essential reference for anyone seeking independent testimony on a film's quality.

The Tomatometer is the technical heart of Rotten Tomatoes. It's calculated by dividing the number of positive critic reviews – those considered fresh – by the total number of reviews. The process is intentionally straightforward: both mild 3-stars and enthusiastic raves count as positive, meaning anything over 60% earns the fresh label. This binary approach – fresh or rotten – has always attracted both fans and detractors for its simplicity.

For over two decades, Tomatometer scores were regarded as steady and trustworthy. However, the past decade has seen a distinct upward drift, according to Parris: more films are scoring higher, and Certified Fresh has become the norm rather than the exception. The technical calibration of the Tomatometer should only shift if underlying movie quality dramatically improves. So, what explains this change?

A key moment in Rotten Tomatoes' story is the 2016 acquisition by Fandango, the leading online movie-ticketing service, jointly owned by industry heavyweights like NBCUniversal and Warner Bros. Discovery. This transaction raised eyebrows for potential conflicts of interest – after all, if the world's largest ticket seller also controls the benchmark for movie quality, it's possible that subtle changes might benefit corporate partners.

Coinciding with the Fandango takeover, Rotten Tomatoes saw a notable spike in average critic scores, Parris reports. The increase wasn't subtle, nor was it limited in scope. Historical trends show that prior to 2016, Tomatometer scores were closely correlated with audience ratings. These two measures – critics and ticket-buyers – tracked each other closely, with similar rises and falls depending on a film's reception.

After 2016, however, this relationship began to diverge. As Tomatometer ratings continued to rise, audience scores became less tightly linked. It's a shift that hints at changes not in the movies themselves, but in who gets to judge them, Parris determined.

Rotten Tomatoes' methodology relies on two fundamental levers: what constitutes a fresh review and which critics are included in the calculation. Adjusting the definition of fresh would likely provoke backlash and undermine credibility. Instead, the expansion of the critic pool offers a less obvious path to score inflation.

After the Fandango acquisition, the site greatly increased the number of approved critics per mainstream release – rising from about 40 to more than 70. Many new additions came from blogs, independent websites, and local radio outlets, rather than established publications. Some sites lack technical polish and are run as side projects rather than major media operations. This has led many observers to question the expertise and consistency of the new reviewer class.

To mitigate criticism, Rotten Tomatoes introduced a Top Critic designation for voices from prominent outlets. However, the Top Critic rating is not factored into the main Tomatometer score, serving only as an optional filter. Rotten Tomatoes has stated the expansion was meant to improve representation among critics, with more women, people of color, and underrepresented groups. Although the effect on diversity is hard to measure, Parris said that it's clear that the platform's average scores have notably increased as a result.

The expansion of the Tomatometer pool has not gone unnoticed by studios and their marketing teams. According to a 2023 analysis by Vulture, some PR firms actively engage lesser-known reviewers in hopes of securing favorable ratings ahead of a film's release. By encouraging these critics to submit positive reviews, studios can, at least in theory, sway the overall consensus and ensure a fresh label in time for opening weekend.

While hard data on the scale of this practice is limited, the technical possibility has emerged alongside a growing cottage industry built around Tomatometer manipulation. The strategy relies on the fact that a sufficient number of fresh reviews – no matter their source – can tip the scores in favor of a film.

Image credit: StatSignificant

Permalink to story:

 
And then there’s the review bombing by regular folk, a practice which extends well beyond movies.
I tend to read reviews, especially bad ones and draw my own conclusions according to my own biases.
 
The funny part is this only scratches the surface as to movies are 'bumped up a notch" to get there. For instance, if you score a 50% on a review, the choices are 40 or 60. Any guess as to which one they use? And if you read the reviews, I think if they talk more about culture or other things rather than the movie, they ought to scratch those as well. As with Techspot and tech, I go there to get movie reviews, not political or cultural validation. Let's face it, Hollywood takes a side, and just like recent Best Picture nominees, you shouldn't get extra points, or even be considered if the only redeeming quality of a film is it's social score in California. What happened to acting, directing, etc.?
 
I base my opinion about a movie, game, restaurant and so on from my own experience - not someone else's.

People are free to say what they want about something, but no one's opinion matters except for my own.

So, no, Rotten Tomatoes was never a place to rely on for reviews about movies. Just like Steam is not a place to rely on reviews for games.
 
RT has not been a “reliable source “ for a long time. It’s almost ancient history now but they were taught deleting critical reviews for several Disney products pre cough.
 
The funny part is this only scratches the surface as to movies are 'bumped up a notch" to get there. For instance, if you score a 50% on a review, the choices are 40 or 60. Any guess as to which one they use? And if you read the reviews, I think if they talk more about culture or other things rather than the movie, they ought to scratch those as well. As with Techspot and tech, I go there to get movie reviews, not political or cultural validation. Let's face it, Hollywood takes a side, and just like recent Best Picture nominees, you shouldn't get extra points, or even be considered if the only redeeming quality of a film is it's social score in California. What happened to acting, directing, etc.?

50% would be listed as 5/10 and as it is less than 60%, it would not count as fresh.

The rest of your comment is just your usual whining about woke so as worthless as any review that complains about that.
 
One of the problems with review aggregators like Metacritic and Rotten Tomatoes has always been the tradeoff between coverage, accuracy, and fairness. A quantity vs quality, variance vs bias tradeoff.

Metacritic tries to address this with weighted averages, which has its own pros and cons.

The integrity problem is a real one - how do you ensure the reviews aren't undisclosed paid sponsorships? There are laws and rules around such things, but enforcement is a different matter.

There's another question: is the increase in score over time actually a problem? Could the underlying quality of the content be increasing? One could argue that the diversion between critics and audience scores suggests this may not be the case.

But before jumping to that conclusion, one also needs to step back and ask themselves what they want to get out of a movie. Fun and enjoyment? Then don't pay attention to the critic score at all, since the audience score is basically the answer to that question. Is it a good film, where good is defined more by the art of film-making than the casual enjoyment of it? Then the critic score might very well tell a different story. And this leads to a reason for the differences: which definition is right? Perhaps the divergence has more to do with different philosophies and objectives, both of which are correct, but one should be mindful of their own preference.

Unless the integrity issue is solved, or at least measured, it will be difficult to truly answer if the increase over time is an issue or an artifact of money.

I base my opinion about a movie, game, restaurant and so on from my own experience - not someone else's.

People are free to say what they want about something, but no one's opinion matters except for my own.

So, no, Rotten Tomatoes was never a place to rely on for reviews about movies. Just like Steam is not a place to rely on reviews for games.
If you ask the question "did I like this", then you are absolutely right that nobody's opinion matters but your own. But that's after the fact. How do you go about choosing what you are going to watch or play? If you have unlimited budget and will live forever, you could just consume everything. But we don't have those luxuries, and this is where the reviews come into play. Of course, reviews aren't the only way to judge content before you try it. There's what your friends say, what the buzz is around it, what your experience and preferences about similar or different content tells you, and so on. Reviews aren't the end all/be all, but they are still an informative piece of the puzzle for many.
 
If you ask the question "did I like this", then you are absolutely right that nobody's opinion matters but your own. But that's after the fact. How do you go about choosing what you are going to watch or play? If you have unlimited budget and will live forever, you could just consume everything. But we don't have those luxuries, and this is where the reviews come into play. Of course, reviews aren't the only way to judge content before you try it. There's what your friends say, what the buzz is around it, what your experience and preferences about similar or different content tells you, and so on. Reviews aren't the end all/be all, but they are still an informative piece of the puzzle for many.
I choose what I want to try based on what I know I like.

I enjoy action movies. I see a clip of a new one, looks interesting. I go and see it - maybe I like it, maybe I don't. I won't know until I experience it.

Have some friends that really liked a taco/mexican joint that opened up a few months ago. They go there a couple times a month now. When the wife and I were hanging out with them they wanted to show us this new joint. Cool. I like tacos, I've got a couple of mexican restaurants I like to go to for various dishes. We hit up the new taco joint and my friends are all "oohing and ahhing" about all the different dishes they like and the fried taco shells are "to die for", they're soooo good! I look over the menu, find a couple taco dishes that sound good so I choose one. I don't know what my friends are on about, but the food was mediocre. The fried shells they have are dry, lack flavor and completely fell apart. I couldn't even eat my food as a taco. I had to get a fork and knife to try and eat it, over all it was just okay (honestly, Chipotle is better in my opinion). I'm glad my friends really enjoy it, but I wouldn't go back. Had my friends not taken us to the restaurant, seeing as how it's a mexican food place I would have eventually made it there on my own because I like mexican food, but after trying it I found I don't like their food. So, as you can see, my friend's role in getting me there only expedited me trying the place out sooner than I would have were I to go on my own.

As I said before; Rotten Tomatoes was never a place to rely on for reviews about movies. Just like Steam is not a place to rely on reviews for games.
 
Is that your honest impression of current media...?
There's a ton of content out there, and a ton of mistakes have been made over the years. Production value tends to be going up, mistakes from the past are being learned. No such thing as perfect, but there's a lot to like. I'm not familiar with enough of it to say that the general trend is positive, but I think it's fair to ask the question.
 
There's a ton of content out there, and a ton of mistakes have been made over the years. Production value tends to be going up, mistakes from the past are being learned. No such thing as perfect, but there's a lot to like. I'm not familiar with enough of it to say that the general trend is positive, but I think it's fair to ask the question.
OK. My impression: I see a ton of movies and shows being pumped out by Netflix etc. Most of them are 5/10 or 6/10 productions at best. They still receive at least 7/10 for some reason.

Possible connection with the strange amount of "fresh accounts" on imdb and other sites with gushing reviews... We know that reviews can be bought from bot farms.
 
OK. My impression: I see a ton of movies and shows being pumped out by Netflix etc. Most of them are 5/10 or 6/10 productions at best. They still receive at least 7/10 for some reason.

Possible connection with the strange amount of "fresh accounts" on imdb and other sites with gushing reviews... We know that reviews can be bought from bot farms.
Yeah, that's fair. But I do wonder if the trend would still be positive if bot farms and review buying/padding could and were filtered out.
 
There is an argument to be made that 2016 was the beginning of a surge of review bombing by “audiences” that never saw the media, reviewed it based on some metric that had nothing to do with the quality of the media, or both.
 
Back