Battlefield 1 reinvents the tone of the series, retaining the awesome turbulence of war while emphasizing a human element. Battlefield 1 maintains an impressive balance between emotion and spectacle. All the better for a series that was starting to feel a bit too clinical.
After 12 years of performing outrageous acts of heroism in the name of the Alliance or Horde, it’s time for World of Warcraft players to take their place in the pantheon of Azeroth’s greatest heroes. Where 2014's Warlords of Draenor elevated player characters from adventurers to military commanders, Legion makes them legends, wielding weapons of unimaginable power against the greatest threat the fantasy world has ever faced.
I’ve been using Sony's PlayStation VR for the better part of a week and have played a handful of the games that will be available at launch. I’ve been impressed by some things, turned off by others, and made nauseous by a few. Throughout that time I’ve also been disappointed. Read on for the full review.
FIFA and PES are like Batman and The Joker, their entire existence defined by the presence of the other. You can't play PES without talking about FIFA's licenses, and you can't play FIFA without talking about PES' gameplay, because those things are as much a result of targeting the competitor's weaknesses as their own inherent strengths.
I love to replay games. It’s something my colleagues occasionally give me crap for. They worry I’m sacrificing time I could otherwise spend on new games re-experiencing old ones. I do play games for a living, so I always try to maintain a healthy mix of new ones in my rotation. But I’m almost always replaying something.
In Deus Ex's vision of the future, unchecked technological advancement has thrown the world into disarray as multinational corporations have grown as powerful as governments. (I know, I can't believe it either.) It's the year 2029 and breakthroughs in bioengineering have allowed humans to augment themselves with cybernetic implants... read the full review.
No Man’s Sky is an unusual and contradictory game, one that asks very little of its players while simultaneously demanding a great deal. It’s a frustrating failure in many ways, technically unpolished and seemingly unfinished. No Man’s Sky reaches for the sun and comes back with a light bulb. I’m pretty much fine with the light bulb.
Your boss just pulled you into another surprise meeting. You’ve got a case of the Mondays. And your raise got rejected. Why not leave it all behind and roll the dice on a new career in video games? There are endless reasons to take the risk of quitting your job, and just as many reasons to tough it out and stay the safe course. The tricky part is figuring out which apply to you.
Back in 2010, a Danish indie studio called Playdead released a macabre side-scroller called Limbo. It was good. In 2016, that same studio is releasing a new macabre side-scroller. This one’s called Inside, and it’s really, really good. I played the game from start to finish in one sitting. I laughed a lot, often in horror. Inside is a perfectly paced series of escalating "holy shit" moments.
Mighty No. 9, released yesterday for most of the platforms it was promised to, is not Mega Man with a new name. It shares a lot of ingredients with Mega Man, but these are lower quality ingredients combined with none of the finesse of Capcom’s classics.
For the uninitiated, here's a little bit of context: Unreal Tournament drew first blood on the PC in 1999, with a fanciful, science fiction tone and particularly gory splatters. The game focused its efforts on online multiplayer. Never before, nor since, has Capture the Flag been so much fun.
You control Victor with a controller that you cannot see, because you play this game with the Oculus Rift VR headset strapped to your face. You push Victor forward with a tilt of the analog stick and make him leap, icepicks drawn, toward the side of a glacier. You're not simply playing a game like Uncharted or Tomb Raider. You're inside of one.
Overwatch has only been out for a week, but it’s already a phenomenon. Normally, hype tells you nothing concrete about a game, but the hype around Overwatch has become a key part of the experience. The excitement around the game acts as a testament to Blizzard’s dedication to craft, refinement, and iconic character design.
Valve recently overhauled Steam’s review system, putting a larger focus on recent perspectives. The move made sense. Games are no longer static works. They constantly evolve thanks to updates and programs like Early Access. The system is, by and large, very useful, providing percentages that give narrow and wide snapshots of games. But numbers only tell part of the story.
For a time there Uncharted 4 feels like little more than a familiar, obligatory sequel. Thankfully, after a few chapters, the game dramatically improves and hits a great stride for much longer. By the end, it justifies the creation of a sequel in this nearly decade-old series beyond the need to check off the box between Ratchet & Clank and Wipeout on the PlayStation franchise list.
These days, it seems like Valve will let just about anything on Steam. Programs like Greenlight and Early Access make it easier than ever to get a game on the preposterously popular PC storefront. Some of these games are very bad. How does this happen? What is the process actually like?